Paradise Drive , 2019, Artist book, 9 x 8.5 x 1 inches In Paradise Drive, fourteen sonnets by Rebecca Foust are paired with watercolor paintings created from fourteen brushstrokes. The book is based on the fourteen line structure of the traditional sonnet.
 Untitled, 2019, Mirrored ceramic, 7 x 5.5 x .75 inches
  Cross Purposes , 2018, Monoprint on rice paper, 13 x 11 inches (each) Created for the literary journal  Nostos , Volume 2, Number 2.
  Growth Chart, Younger and Older , 2018, Ink with digital overlay, 8 x 10 inches (each) Created for the literary journal  Nostos , (Volume 2, Number 2).
  Transit, Terrain, Mapping , 2017, Watercolor on paper, 9 x 8 inches each Watercolor paintings derived from aerial views of the United States-Mexican border created for the literary journal  Nostos  (Volume 1, Number 1)  News Post
  Repair , 2016, Ostrich egg, lacquer, sand, 6.5 x 5 inches
  Protect , 2016, Ostrich egg, wire, 36 x 36 inches
  Huia: A Story of Extinction (Deforestation) , 2018, Salvaged lumber, native branches, photograph (James Bragge,  Bush Scene, circa 1875,  reproduction from black and white collodion glass negative, Museum of New Zealand Te Papa Tongarewa), audio from the New Zealand Broadcasting Corporation’s 1954 recoding of Maori tracker Henare Hamana’s whistled huia call, 7 x 3 x 3 feet
 Clay Pigeon Passenger Pigeons, 2016, Salvaged clay pigeons, glue, 3 x 6 inches (dimensions variable)  News Post
  Provider , 2015, US currency, shoe sole, 10 x 7.75 x .75 inches  News Post
  Globe, flattened,  2014, Salvaged metal globe, 20 x 8 x .25 inches
  Herd , 2014, Charred wood, 10 x 8 x 1.5 inches
  Herd (paper) , 2013, Pattern paper with rubbing, 18 x 16 x 1 inches
  The Broomstick Story , 2012, Object: Salvaged wooden broomstick, dowels, glue, 15.25 x 2 x 2 inches; Book: Newsprint, ink, cardboard, string, 24 x 18 x 3/16 inches
  Brink , 2012, salvaged threshold, 9 x 17 x 2.5 inches
  Hunt , 2011, Wildebeest mane, pins, 14 x 14 x 5.5 inches
  Untitled (Atlas Globe) , 2011, Altered book from Encyclopedia Britannica Atlas, 12 x 10 inches
  Herd , 2010, Ink on paper, 2010, 30 x 22.5 inches
  God, Seed: Poetry and Art about the Natural World , A collaboration with poet Rebecca Foust, 2010, 104 pages, 7.5 x 9 x .4 inches, published by Tebot Bach
  Suspended Animation (Second Version) , 1999, Sailcloth, hardware, cable, graphite rods and river rocks, 20 x 20 x 6 feet. Installed in the di Rosa sculpture meadow from May to December, annually
  Bound to Please #34 , 2008, Raku fired ceramic and embroidered fabric, 4 x 4 x 2.25 inches each
  Untitled (framed face) , 2007, Salvaged frame and globe, 10.5 x 13 x 2.5 inches
  Herd (gut) , 2007, Wishbones, gut, pins, paint, 18 x 13 x 1.5 inches
  Tread , 2007, Salvaged metal bank , 4.75 x 4.5 x 4.5 inches
  Waste , 2007, Salvaged metal, 13 x 11 x 7.25 inches
  Huia , 2006, Altered book with compact disc “Homage to the Huia,” an original sound recording by composer David Hindley, Edition of 20, 9.25 x 6.25 x .75 inches
  Huia Feather , 2005, Graphite on paper, 10 x 8 inches
  Trophy , 2005, Sand cast glass with brass plaque and wire, 8 x 6.5 x 1.5 inches
  Bound to Please #23 , 2005, Ceramic, 3 x 4.5 x 2.5 inches (each)
  Huia: A Story of Extinction , 2001, Installation with book, sound recording, chairs, paint, stone, sticks, 8 x 20 x 16 feet
  Passage , A collaboration with Meadowsweet Dairy, 2000, Wood, steel, hardware, stones, skull and bones, 10 x 7 x 4 feet
 From Left:  Bound to Please #1 , 2000, Raku fired ceramic, 4 x 4.5 x 2 inches  Bound to Please #5 , 2000, Ceramic with iron wash, 3.5 x 4.5 x 2 inches  Bound to Please #2 , 2000, Wood fired ceramic, 1.75 x 3.75 x 1.75 inches
  Huia , Charred sticks and wire, 1999, 12 x 12 x 12 inches
  2000 , 1999, Salvaged globe, copper, stone, 10 x 7 x 4 inches
  The Humor Rag , 1997, Paper, news stand, bench, wood and grass, 4 x 8 x 4 feet
  Overload , 1996, Mixed media, 7 x 7 x 3 feet
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