Magnolia Path, an artwork by Lorna Stevens made with fallen magnolia petals and leaves from the San Francisco Botanical Garden embedded in resin, bearing traces of people, strollers, bicycles, and wheelbarrows that passed over them.

Magnolia Path, 2025, Magnolia petals, resin,
12 x 10 x .75 inches

Migration, an artwork by Lorna Stevens in which a herd of animals forms a human face, surrounded and trapped by asphalt that interrupts their migratory paths.
Migration, an artwork by Lorna Stevens in which a herd of animals forms a human face, surrounded and trapped by asphalt that interrupts their migratory paths.

Migration, 2024, Wood and asphalt, 13 x 9.5 x 1.3 inches
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Covid, 2022, Cast paper, ceramic, shim, spray paint,
16 × 10 × 2 inches

Winter Winds, a small ceramic wall sculpture by Lorna Stevens finished with silver nitrate and lacquer.

Winter Winds, 2020, Ceramic, silver nitrate, lacquer,
7 x 6 x 1 inches
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Bed of Roses 2020 Ceramic and silver nitrate 12.5 x 11 x 2 inches

Bed of Roses, 2020, ceramic and silver nitrate,
12.5 x 11 x 2 inches
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Bound, 2019, mirrored ceramic,
7 × 5.5 × 5.5 inches

An award plaque-shaped artwork by Lorna Stevens made with U.S. currency, a worn shoe sole, and shoelace, honoring those who provide emotional and financial support to others.

Provider, 2015, US currency, shoe sole, 10 x 7.75 x .75 inches
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Herd, a small wall-mounted artwork by Lorna Stevens composed of charred wood forms suggesting a densely gathered herd of animals.

Herd, 2014, Charred wood, 10 x 8 x 1.5 inches
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Globe, Flattened, from the Globes series by Lorna Stevens, a salvaged metal globe flattened and altered to reflect environmental concerns.

Globe, flattened, 2014, Salvaged metal globe,
20 x 8 x .25 inches
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Herd (paper), an artwork by Lorna Stevens featuring rubbings of migratory animals moving across pattern paper.

Herd (paper), 2013, Pattern paper with rubbing,
18 x 16 x 1 inches

Brink, an artwork by Lorna Stevens made from a salvaged threshold shaped into a mountain range, suggesting human encroachment into the natural world.

Brink, 2012, salvaged threshold, 9 x 17 x 2.5 inches
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One Threshold, Two Yields, 2012, Salvaged threshold, paint,
20 × 10 × 1 inches
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Hunt, an artwork by Lorna Stevens made from a knotted wildebeest mane pinned into the shape of an award plaque, comments on the sport of big-game hunting.

Hunt, 2011, Wildebeest mane, pins, 14 x 14 x 5.5 inches

Untitled (framed face), 2007, Salvaged frame and globe,
13 x 10.5 x 2.5 inches

Trophy, from the Bound to Please series by Lorna Stevens, a sand-cast glass artwork with brass plaque and wire addressing the custom of foot binding.

Trophy, 2005, Sand cast glass with brass plaque and wire,
8 x 6.5 x 1.5 inches

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