Migration, 2024, wood and asphalt, 13 x 9.5 x 1.5 inches
Migration portrays the ongoing conflict between increased human demands and the open spaces essential for large land migrations
COVID, 2022, cast paper, ceramic, shim, spray paint, 16 x 10 x 2 inches
Covid acknowledges the disruption and devastation of the pandemic
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Winter Winds, 2020, ceramic, silver nitrate, lacquer, 7 x 6 x 1 inches
Winter Winds recognizes the distinctive starkness of cold climates
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Bed of Roses, 2020, ceramic and silver nitrate, 12.5 x 11 x 2 inches
Bed of Roses refers to the often coveted but rarely attainable thorn-free existence
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Bound, 2019, mirrored ceramic, 7 x 5.5 x .75 inches
Bound reflects the viewer in a web of thorny stems
Bound to Please, 2005, sand cast glass with brass plaque and wire, 8 x 6.5 x 1.5 inches
Bound to Please questions the old custom of foot binding
Provider, 2015, US currency, shoe sole, 10 x 7.75 x .75 inches
Provider recognizes givers of emotional and financial support
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Hunt, 2011, wildebeest mane, pins, 14 x 14 x 5.5 inches
Hunt questions the desire to mount vanquished prey
Migration, 2013, Pattern paper with rubbing, 18”x16”x1”
Migration pays homage to the annual wildebeest journey across Africa
One Threshold, Two Yields, 2012, Salvaged threshold, paint, 20 x 10 x 1 inches
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Brink, 2012, Salvaged threshold, 9 x 17 x 2.5 inches
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Globe, flattened, 2014, Salvaged metal globe, 20 x 8 x .25 inches
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Untitled (framed face), 2007, Salvaged frame and globe, 13 x 10.5 x 2.5 inches